Maclise, DanielIrish Painter, 1806-1870 | |||
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Möten av Wellington och Blucher på Vatten Måleriet identifieringen:: 28166 Titta min galleri i Sverige |
Möten av Wellington och Blucher på Vatten 1859-61 waterglas på murbruk 3.7 x 13.9 m(12ft x 45ft 8in) Kunglig Galleri Palats av Westminster.London (mk63) 1859-61 waterglas_on_plaster 3.7_x_13.9_m(12ft_x_45ft_8in) Royal_Gallery_Palace_of_Westminster,London_(mk63) |
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Min herre Frankrike Sykes och Familj Måleriet identifieringen:: 28184 Titta min galleri i Sverige |
Min herre Frankrike Sykes och Familj 1837 vattenfärgen 112.3 x 64.7 cm (44 1/2 x 25 1/2 in)Private insamling (mk63) 1837 watercolour_112.3_x_64.7_cm (44_1/2_x_25_1/2_in)Private_collection_(mk63) |
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Rödingen Dickens Måleriet identifieringen:: 28186 Titta min galleri i Sverige |
Rödingen Dickens 1839 Olja på segelduk 91.4 x 71.4cm ( 36 x 28 1/8 i ) Nationell Porträtt Galleri London (mk63) 1839 Oil_on_canvas_91.4_x_71.4cm (36_x_28_1/8_in) National_Portrait_Gallery_London_(mk63) |
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A Scene from Måleriet identifieringen:: 62827 Titta min galleri i Sverige |
A Scene from 45 x 61 cm Royal Collection, Windsor The subject is based on a moment in a romantic German novel entitled Undine, written by Friedrich de la Motte Fouque which was first translated into English in 1818 and became almost as popular with artists in England as Goethe's Faust. The incident painted by Maclise occurs in chapter IX, where the young knight, Huldbrand, accompanies his bride, Undine, back home through the forest. The priest, Father Heilmann, who has just performed the marriage ceremony, follows behind and is visible beneath the branch of the tree. Ahead is the dark and sinister apparition, Kuhleborn, the spirit of the waters and the uncle of Undine. Huldbrand draws his sword on Kuhleborn and then strikes him, whereupon the spirit of the waters is transformed into a waterfall. Clearly the painting illustrates the forces of good, represented by the newly married couple, overcoming the power of evil, symbolised by the looming figure of the water god. The narrative element of the picture is aligned on a diagonal, which is contained within a bower populated by elves, goblins and water-nymphs associated with the surrounding forest. The composition is a triumph of design with the main elements of the story formed by an ornamental border of considerable intricacy. Maclise used other such borders for several of his book illustrations including those for The Chimes by Charles Dickens of 1844 and Irish Melodies by Thomas Moore of 1845. Maclise has here relied on German sources for the decorative features, and was clearly influenced by German illustrators. Maclise was of Irish origin and in 1827 he came to London, where he almost immediately gained recognition as a portrait draughtsman, drawing numerous likenesses for Eraser's Magazine. He painted historical and literary subjects, several as frescoes for the Palace of Westminster. Maclise formed close friendships with the novelists Charles Dickens and William Makepeace Thackeray as well as his compatriot, the poet Thomas Moore, and the politician Benjamin Disraeli. With all of these he shared an ebullience of character and a sense of humour, but this later gave way to melancholy and pessimism 45_x_61_cm_Royal_Collection,_Windsor_The_subject_is_based_on_a_moment_in_a_romantic_German_novel_entitled_Undine,_written_by_Friedrich_de_la_Motte_Fouque_which_was_first_translated_into_English_in_1818_and_became_almost_as_popular_with_artists_in_England_as_Goethe's_Faust._The_incident_painted_by_Maclise_occurs_in_chapter_IX,_where_the_young_knight,_Huldbrand,_accompanies_his_bride,_Undine,_back_home_through_the_forest._The_priest,_Father_Heilmann,_who_has_just_performed_the_marriage_ceremony,_follows_behind_and_is_visible_beneath_the_branch_of_the_tree._Ahead_is_the_dark_and_sinister_apparition,_Kuhleborn,_the_spirit_of_the_waters_and_the_uncle_of_Undine._Huldbrand_draws_his_sword_on_Kuhleborn_and_then_strikes_him,_whereupon_the_spirit_of_the_waters_is_transformed_into_a_waterfall._Clearly_the_painting_illustrates_the_forces_of_good,_represented_by_the_newly_married_couple,_overcoming_the_power_of_evil,_symbolised_by_the_looming_figure_of_the_water_god._The_narrative_element_of_the_picture_is_aligned_on_a_diagonal,_which_is_contained_within_a_bower_populated_by_elves,_goblins_and_water-nymphs_associated_with_the_surrounding_forest._The_composition_is_a_triumph_of_design_with_the_main_elements_of_the_story_formed_by_an_ornamental_border_of_considerable_intricacy._Maclise_used_other_such_borders_for_several_of_his_book_illustrations_including_those_for_The_Chimes_by_Charles_Dickens_of_1844_and_Irish_Melodies_by_Thomas_Moore_of_1845._Maclise_has_here_relied_on_German_sources_for_the_decorative_features,_and_was_clearly_influenced_by_German_illustrators._Maclise_was_of_Irish_origin_and_in_1827_he_came_to_London,_where_he_almost_immediately_gained_recognition_as_a_portrait_draughtsman,_drawing_numerous_likenesses_for_Eraser's_Magazine._He_painted_historical_and_literary_subjects,_several_as_frescoes_for_the_Palace_of_Westminster._Maclise_formed_close_friendships_with_the_novelists_Charles_Dickens_and_William_Makepeace_Thackeray_as_well_as_his_compatriot,_the_poet_Thomas_Moore,_and_the_politician_Benjamin_Disraeli._With_all_of_these_he_shared_an_ebullience_of_character_and_a_sense_of_humour,_but_this_later_gave_way_to_melancholy_and_pessimism |
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A Scene from Undine Måleriet identifieringen:: 70671 Titta min galleri i Sverige |
A Scene from Undine Medium Oil on canvas Dimensions 45 x 61 cm Medium_Oil_on_canvas _ Dimensions_45_x_61_cm |
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Föregående 1 2 | Föregående Konstnär Nästa Konstnär | |||||||||
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| Maclise, Daniel | ||||||||||
| Irish Painter, 1806-1870 | ||||||||||
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